This is bullshit. The language is ancient, the characters are boring, there are stupid poems and songs in the middle of the text! And there are no queer or diverse characters! It’s escapism and has nothing to say about the issues of our modern world! And it’s just so boring!
The final of the trilogy is the point where it finally reaches up from the depths of ‚Just above average‘ to ‚excellent.‘ It’s right here where Leigh Bardugo’s writing makes the great step towards that perfectness of Six of Crows: the story about Alina’s feelings and struggles and the war for the fate of Ravka reach their climax, and it’s breathtaking to behold at last.
Shame on me. Shame on me for not joining Team Abercrombie immediately. Shame on me for rating those other books three stars. Shame on me for not liking these characters in The Blade Itself immediately. I bow to Lord Grimdark and beg his mercy. And I kiss his feet and swear to never doubt his magnificene again.
No, it’s true. This isn’t a mistake. I haven’t had some sort of fit that made me miss that fifth star. I also didn’t sneeze so hard that I missed the fourth star. I’ve really, out of the dephts of my conscience and heart, given one of Sabaa Tahir’s books only three stars.
Sorry, but I hated it. The writing was far too fast and hurried and things happened and happened and there was action and action and action and there were almost no other linking words than and and or and the sentences were so long and unreadable like this same sentence here.
If I had to pick one of these seven books as a favourite, it would be this one. It was the longest of them when it was published, and I love every bit that made it longer: this one has a lot more of Hogwarts‘ daily life. There’s a lot of things which have always been there, but are now being presented far more detailed. Especially the classes, all the teenagy bits about Harry and Cho, and of course, Umbridge.
Ein witziges, hartes, erstaunlich sarkastisches Meisterwerk mit einer frechen, brillanten Protagonistin mit einer der unterhaltsamsten Stimmen der modernen Fantasy. Naomi Noviks „Scholomance“ stellt die genreübergreifenden Konventionen magischer Schulbücher auf den Kopf und ist originell und mit einer fesselnden Erzählerin gesegnet.
A witty, hard, amazingly sarcastic masterpiece featuring a sassy, brilliant protagonist with one of the most entertaining voices in modern Fantasy. Naomi Novik’s ‚A Deadly Education‘ turns the whole genre conventions of magical school books upside down and is both original and blessed with a compelling protagonist.